Monday, May 11, 2020

Fare Figura & A History of Men's Fashion

A highly recommended addition to the serious sartorial library.


Written by Farid Chenoune & translated by Deke Dusinberre


" Italians have never understood the the major principle behind civilized stylishness, which should appear unconscious." Jean-Francois Revel

Fare Figura: To cut a figure, to keep up appearances, to swagger in a society where men are habitually addressed by their professional title, such as Dottore or Ingeniere. A History of Men's Fashion

I'm always intrigued by men and their devotion to a 'type' of dress. I assume these are brand loyal guys who stick with a cigarette, cigar, scotch, gin or breakfast cereal their entire lives while running around on their wives.

Monogamy has it's place but it ain't in clothing. I love Italian clothes and they love me. At just under 5'9, the Brioni jacket has always fit well. Borrelli linen trousers are cut large enough for my waist but are tapered through the leg and are the most flattering pant I own. And while you've heard it a million times, fit is everything, it's different for everyone. It must suit you.

Ivy, Trad, Prep, NAG (North American Gentile), whatever you want to call it - is known for it's casual fit, rumpled appearance and whiff of, "I don't give a shit." Give any man a gray sack suit, a button down and rep tie and that man can pull off a decent and classic look.

From A History of Men's Fashion (1993), " ...Italians tend to be more attired than dressed, a distinction that led to disapproval, in the name of British understatement, of this penchant for preening. Igor Margovitch could thus deplore, in 1946, the Italians' lack of naturalness in their love of "newness," leading them to "prefer changing often rather than pay dearer for finer quality... This is completely different from the English taste for garments that are so broken in that they wind up an outer skin." Igor Margovitch, Made in Italy, Lausanne, 1946

I take what fits and always try for calm. Mixing Italian clothing that fits with English or even Ivy shirts and ties takes some effort. Is it worth it? It is to me. Fall and Winter speak to American and English wools, tweeds, tattersalls, hacking pockets and Polo coats worn for protection and warmth. Summer and Spring are made for the Italians with paper thin sweaters, brightly colored ties and bright jackets light in color and weight and certainly in swagger.

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